A triangle-shaped object was caught by A photographer, using a row of several lights as it flew through the skies near Austin.
source http://www.visagesphotography.co.uk/photographer-captures-picture-of-ufo-near-austin-in-photo/
A triangle-shaped object was caught by A photographer, using a row of several lights as it flew through the skies near Austin.
Pulitzer Prize-winning photographer Nick Ut, who retired in March after 51 years together with The Associated Press, has shot photos “from hell for Hollywood.” A look at a Few of his most
Beyond its beaches, lagoons, and bays is another type of eye candies native to the Hamptons: beautiful. At the conclusion of sn
Terran and Lexi got married in Charleston, South Carolina as the moon eclipsed the sun.
‘Autophoto,’ in Paris, looks at how cars have inspired photographers over the decades.
Sevilay Maria van Dorst relies on pictures from around the globe. But this year, she found that despite all of the pictures coming from the refugee crisis in Europe, she did not feel as though she had a grasp of what was found there. “I honestly wasn’t sure what to think,” van Dorst, 32, says. “I believed, You know everything? I’m going to see for myself what is going on. “
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So in February, van Dorst packed her bags and left her home to get Lesvos, Greece in Amsterdam, an island widely regarded as a ground zero . (Roughly 30,000 migrants came in there in February alone.) She made her way. “In a minute, I knew things were worse than I had ever expected,” she states. “You notice their fear and a complete lack of understanding to what is going to happen. They have been moving to smuggler, treated like another amount and creatures from smuggler. But when I looked into their eyes, then I realized they’d families names, hopes, and fantasies. I believed, Oh, my God, you are not out of a different world. You are me, and I’m you. “
“When I looked into their eyes, I realized they’d names, families, hopes, and fantasies.”
Moved to aid van Dorst began teaching English throughout the camp’s chain-link fence to a number of the kids, with flip cards. (She had not obtained permission to work in the camp.) She had a couple of pupils on the first day. Finally, the English classes evolved into photography lessons. “I am a photographer and an artist, therefore I always look for solutions through art,” says van Dorst. Soon, she’d met with Oliver Zimmermann two musicians and Sebastian Gil Miranda, who traveled to watch the catastrophe for themselves. Together, Inside moderate, they founded together with a translator, Amir Asadi, who had come as a refugee in Iran to Greece, a project to educate refugees photography as a means of boosting their sin.

Van Dorst teaches families English throughout the fencing in Moria refugee camp, May 2016
On the next seven months, the Inside Light crew told the pupils, ages 9 to 16, to take photos of beautiful things and handed cameras. “They see this location in a really negative way, but once we ask them to look for things that are special, they start to realize their environment differently,” van Dorst explains. “You start to stimulate positive thinking instead of, Oh, this is really terrible.” After the kids stopped shooting, while offering basic suggestions on light, makeup, and other methods, their pictures were developed by the photographers at a neighborhood store and returned to speak about their favorite snaps. But in return, the kids shared stories about their lives back home. “It is remarkable to me how these refugees do not have anything, but nevertheless want to give you some thing, to teach you anything about themselves or their states,” van Dorst states. So far, more than 50 kids have been worked with by Interior Light; it has launched a fundraising campaign, and plans to expand in Greece and elsewhere the next year.
Van Dorst occasionally shocks. Once was so excited about a film he’d taken that he pushed against . When he finally put it down, van Dorst understood he’d taken a selfie. “Can it be a mistake?” She asked. “No,” he responded. “It isn’t a mistake–I am beautiful.” The response made van Dorst speechless: “To understand that he’d felt so unlikable since his father left and to then watch him call himself beautiful told me I had done my job.”
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This article appears in the December issue of Marie Claire, on newsstands November 15.

June 4, 2017 | 10:27 AM
Ron Galella / Contributor Getty Images
Forever 21 is being sued by yet another photographer and this moment, Urban Outfitters can be named as an offender.
Danny Clinch is currently taking both retail giants and three other parties (like Tupac’s official merchandise licensing firm) to court over their use of 2 of his photographs of Tupac Shakur, according to Consumerist. The litigation was first filed in New York on May 31 and claims Amaru/AWA Merchandising in an agreement that stated Amaru was acting on behalf of individuals who owned the copyrights authorized to World Productions from 2012 the pictures in question.

Clinch, who copyrighted his photos states that he didn’t give permission to license the pictures. He goes on to say in getting the appropriate information regarding ownership of the copyrights Earth didn’t use due diligence. It went ahead and made a bargain with firm Bioworld, who created and marketed the shirts. Among these goods is that a jersey featuring a picture from a cover shoot for a 1996 version of Rolling Stone.
The damages will be in excess of $600,000 between licensing fees and earnings from Forever 21 and Urban Outfitters. Clinch is seeking to be paid and inquiring the remaining inventory containing the pictures be destroyed.

Read the whole litigation from Danny Clinch over two Tupac pictures here.
Yeah-uh-yeah!
Congratulations to the Class of 2017!
EXCLUSIVE: former Geto Boys DJ Ready Red & Bronx promoter Van Silk speak about the Hip Hop Ambassador’s departure.
Chris Braggs Would like to inspire young Guys to be their best
Have a peek at all of the pictures from 2017 49ers Training Camp.
Growing up at the picturesque countryside village Devonshire at the south west of England, the rolling mountains of the British arena served as Samuel Bradley’s inspiration because of his photos.
During his studies at the University for Arts at Farnham, he began to focus on traditional analogue methods, which he incorporates into his believed and thoughtful clinic. Now based between London and New York, ” he specializes in editorial and documentary photography, shooting for brands such as UNIQLO, Burberry and Dior. Besides his advertising commissions, Samuel’s work comprises a delicate mixture of landscapes, still life and portraiture with a sensitivity and melancholic mood.












From Brittany A. Roston In case you are a heavy Google Photos user, great news: it appears that the 2,000 image limit for albums on the service was eradicated, or at least decreased to a level…
As photographers, we usually begin photographing everything and anything. All subjects are sport as we explore our new found passion. When we grow and get more serious about our craft, we often attempt to locate our location in the industry. Our market, our comfort zone, where we earn and could concentrate a name for ourselves.
This is a good thing! A photographer that has a exceptional market is much more memorable than the photographer which insures each topic. It’s better to be the dog portrait guy, or the white and black waterfall woman, than to be understated.
One of my favorite things to photograph: water scenes in twilight.
But just because you have specialized in a certain area of photography does not mean you can not continue to explore your craft. There’s much to be learned from photographing things, and applying any lessons learned for your market. There is much you can learn from photographing items which you especially do not like to shoot.
So I challenge you to come up you give them a try, and do not like to photograph. Keep in mind, you do not have to be good in it. Don’t worry about attempting to make a masterpiece. You’re not going to display these photos. However, by getting out of your comfort zone and giving yourself the permission you are bound to find out something.
Lessons learned about light and shadow to wildlife photography in portrait photography.
By way of example, when I did this drill, the item on the very top of my listing was portraits. I have always been slightly fearful of doing portraits! In my list had been sports, automobiles, and structure.
When a buddy of mine asked me to photograph her newborn it was serendipitous. As the terror swept me through, I remembered my record and realized that I should take the opportunity. Obviously I advised her to employ a real newborn photographer since I had no expertise in this region. But I tried, and that I made some pictures which were pretty great. But more importantly I was interested in, like wildlife and landscapes.
Working indoors was new for me and since I didn’t have any lights, I labored together with natural light in the window. As I positioned my subjects around the area, I noticed how the light fell on their faces, and discovered to pay very close attention to the management of this light. I also noticed how important it was not to have any distracting things from the desktop, which also applies to many other regions of photography.
Using rim lighting and non-distracting backgrounds (discovered doing portraits) in wildlife pictures.
The next thing in my list of stuff was sports. So I headed up to the local school where there is always something and discovered a game to photograph.
Daily, I learned something very important. You see, I really don’t understand a thing about football, also it quickly became evident that I couldn’t catch a moment, because I had no idea when it was likely to happen. I had to sit and watch, and attempt to figure out how the game worked, and only then did I have a opportunity.
I didn’t make any pictures that day, but I’m learned a lesson that wildlife pictures is applied to by me all of the time. I sit and watch, and find out the behavior of the creatures earlier I attempt to photograph them. That way I could anticipate what is going to take place, and come away with a photograph that captures a moment in time.
Anticipating the moments that are particular in wildlife pictures.
Another thing on my record in the time I did that this exercise was structure, however, I discovered a new passion after playing with it for awhile. Now I enjoy photographing architecture. Is that most architectural subjects are inherently symmetrical, and as the rule of thirds works compositions work quite well too. Now I use this principle to other subjects which are inherently symmetrical.
Using a composition in landscape photography.
Challenge yourself! Give yourself the time! Keep in mind that this is an exercise just for you, to allow you to grow as a photographer and explore your craft.
Researching subjects is just 1 way to accelerate your photography learning curve. (it is a terrific means of finding your market too!) For more ways to accelerate the learning curve, check out my eBook “8 Ways to Accelerate Your Photography.”
The article Get Out Your Photography Comfort Zone to Know and Grow as a Photographer from Anne McKinnell appeared first on Digital Photography School.
A maternity take was caught by A photographer, although the husband and wife could not be together.
A maternity take was caught by A photographer, despite the fact that the husband and wife could not be together.
Snowy property
Photographer Robert Sijka chooses to show the beauty.
The U.S. Army has released the final photograph of a combat photographer who caught her own passing on camera at a casual mortar explosion …
Even the U.S. Army has launched pictures captured by means of a combat photographer just as a mortar exploded, killing her and four Afghan soldiers.
Spc. Hilda Clayton of the 55th Signal Company was shooting photographs of a live-fire training exercise when a mortar round inadvertently exploded in its tube. Clayton was also training an Afghan military photojournalist.
Soldiers the minute a mortar round inadvertently went off at its own tube. Taken with an Afghan Army photographer. Source: U.S. Army
Spc. Hilda Clayton catches the minute a mortar round explodes in its own tube. Source: U.S. Army/Spc. Hilda Clayton
“Clayton’s death symbolizes how female soldiers are increasingly subjected to hazardous conditions in training and in combat on par with their male counterparts,” said an Army statement.
The Army appointed an award after her for the annual competition of Combat Camera and included the name of Clayton to Fort Meade’s Defense Information School Hall of Heroes.
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